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The three series in the present exhibition are linked by the artist's recent rumination son cultural differences expressed through human attitudes to physical and spiritual well-being, Treasure Hunt (a series of 20 works) was completed earlier this year; It presents a string of adventures as a mock-epic, with a synthetic drug-capsule providing the picaresque focus of each questing episode, incorporating Australian creatures in a loving detail that is normally confined to children's book's, and set in a generalised landscape of desert, craters and waterholes, the drama unfolds like a trans-national mini-series with a welter of briefly appearing characters and slender narrative lines. This series discloses Guan Wei in his most comedic vein of fantastic cultural narrative cloaking a wry social commentary  
     The Treasure Hunt series was followed closely by The Lose Supper and The Efficacy o f Mediate. Throughout both the latter series there is a common pictorial structure and thematic unity Every canvas Is similarly divided, presenting a seated figure confronted by a colourful drink: in a glass before him, Each glass holds a liquid of ambiguous contents and is attended by various symbolic accessories' toys, dice, vividly detailed plants, creatures or common artefacts of daily life.  

 
 
 The Last Supper 9 1995
  acrylic on canvas 87 x 46 cm
    The Last Supper 10 1995
    acrylic on canvas 87 x 46 cm
    The Last Supper 11 1995
    acrylic on canvas 87 x 46 cm
       

 

 

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