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The three series in
the present exhibition are linked by the artist's recent rumination son
cultural differences expressed through human attitudes to physical and
spiritual well-being, Treasure Hunt (a series of 20 works) was completed
earlier this year; It presents a string of adventures as a mock-epic,
with a synthetic drug-capsule providing the picaresque focus of each
questing episode, incorporating Australian creatures in a loving detail
that is normally confined to children's book's, and set in a generalised
landscape of desert, craters and waterholes, the drama unfolds like a
trans-national mini-series with a welter of briefly appearing characters
and slender narrative lines. This series discloses Guan Wei in his most
comedic vein of fantastic cultural narrative cloaking a wry social
commentary
The Treasure Hunt
series was followed closely by The Lose Supper and The Efficacy o f
Mediate. Throughout both the latter series there is a common pictorial
structure and thematic unity Every canvas Is similarly divided,
presenting a seated figure confronted by a colourful drink: in a glass
before him, Each glass holds a liquid of ambiguous
contents and is attended by various symbolic
accessories' toys, dice, vividly detailed plants, creatures or common
artefacts of daily life.
The
Last Supper 9 1995
acrylic on canvas 87 x 46 cm |
The Last Supper 10
1995
acrylic on canvas 87 x 46 cm |
The Last Supper 11
1995
acrylic on canvas 87 x 46 cm |
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