Bibliography

Books

  • Unfamiliar Land ‘Chinese Contemporary Art Document’, P99-101 Published by Hunan Fine Arts Publishing house, China.
  • Karen Smith ‘Brought to Light 2 Contemporary Australian Art 1966 – 2006’ ‘The story of Guan Wei’P292-299 Published by Queensland Art Gallery Australia.
  • Book Cover ‘Our Patch’ Looking for Enemies No.2 Published by Curtin UTS.
  • Melissa Chiu ‘Breakout Chinese Art outside China’ P159 – 203 Published by Silvia Palombi Arts & Mestre, Milano.
  • Dinah Dysart, Natalie King & Hou Hanru, Art Book ‘Guan Wei’, Published by Craftsman House.
  • Art Book ‘Twenty’ Sherman Galleries 1986 – 2006, P20,24,30,58,108,261-265 & 293. Published by Craftsman House.
  • Book Cover ‘No Country is an island: Australia and International Law’ Published   by UNSW Press.
  • Caroline Turner, Art and Social Change, Contemporary Art in Asia and The Pacific’, P21, P468-469.
  • Geremie Barme & John Minford, Seeds of Fire: Chinese Voices of Conscience P387-407.
  • John Clark, Modern Asian Art, P198, 232, 268-269.   
  • Laura Marray Cree, Australian Art for Contemporary Kids, P38-39.
  • Editor Benjamin Genocchio, The Art of Persuasion Australia Art Criticism 1950-2001, P134 & Front and Back Cover.
  • Sasha Grishia, Australian Printmaking in the 1990s, P312-313.
  • Wa Hung, Chinese Art at the Crossroads - Between Past and Future, Between East and West P210.
  • Yi Glenis Israel, Senior Artwise 2, Visual Arts 11-12, P179-186.
  • Nicholas Jose, Chinese Whispers, Cover page.
  • Ursala Kolbe, Rapunzel's Supermarket - all about young children and their art, P52.
  • Lu Peng & Yi Dan, 1979-1989 a history of China's modern art, P278.
  • Openings - A Celebration of the 30th anniversary of diplomatic relations between Australia and China, by the Asia - Australia
  • Institute, the university of NSW, P80-81.
  • Australian Art, in the National Gallery of Australia, P389.
  • Yan Wang , Alter/Asians, P107 -122 & cover page.

 

Catalogues

  • ‘Day After Tomorrow’ solo exhibition write by Tally Back ‘Navigation Guan Wei’ 2007.
  • ‘A Mysterious Land’ solo exhibition write by Guan Wei, 2007.
  • Down Under DenHaag Sculptuur 07 Hague Sculpture Netherlands, 2007.
  • Voiceless Sherman Galleries Sydney, 2007.
  • Scienceasart Art Gallery of NSW Sydney, 2007.
  • Culture Trackers 24HR Art NT Centre for Contemporary Art Darwin NT Australia, 2007.
  • News from Islands Campbelltown Arts Centre Sydney, 2007.
  • Process-Journey Red Gate Gallery Beijing China, 2007.
  • ‘Unfamiliar Land’ solo exhibition at CACSA, Nicholas Jose, ‘Fantastic Cosmographies’ 2006.
  • Sotheby’s Asia Contemporary Art Auction NY 31 March 2006 P72.
  • ‘Echo’ solo show Sherman Galleries Sydney 2006
  • Other Histories ‘Guan Wei’s Fable for a Contemporary World’ solo show Powerhouse Museum Sydney 2006.
  • ‘Secret Histories’ solo show ARC One Gallery Melbourne, Juliana Engberg, ‘The Follies of History, Guan Wei’s new perspective’ 2005.
  • 'Looking for Enemies' solo show, Sherman Galleries, Sydney, 2004.
  • Terra Altrius - Land of Another exhibition, Ivan Dougherty Gallery (NSW University), 2004.
  • Cycle Tracks will Abound in Utopia exhibition, Australian Centre for Contemporary Art Melbourne, 2004.
  • Points of View exhibition, UTS Gallery Sydney, 2002, P76.
  • Borderpanic Reader exhibition, 2002, P107.
  • 'Horoscope' solo show, Red Gate Gallery, 2000.
  • Nepean Collection exhibition, 2000, P47 - 48.
  • Kwangju Biennale 2000, exhibition, P276-279.
  • 'Looking for Home' solo exhibition, Sherman Galleries, Sydney, 2000.
  • Third Asia Pacific Triennial of Contemporary Art exhibition, 1999, Cover & P180-181.
  • The Rose Crossing exhibition, 1999, P22-25.
  • Olympic Arts Festivals 1999 exhibition, P86.
  • Guan Wei Nesting, or Art of Idleness solo show, Museum of Contemporary Art Sydney, 1999.
  • The 4th Kochi International Triennial exhibition of prints, 1999.
  • 'Revisionary' solo show, ANU Drill Hall Gallery Canberra, 1998.
  • Skin / Culture exhibition, Eight Australian Artists, George Gallery, Melbourne, 1998.
  • Beyond China exhibition, Campbelltown City Bicentennial Art Gallery, NSW, 1998.
  • Cartoons and Caricature in Contemporary Art exhibition, Geelong Art Gallery, VIC, 1998.
  • Osaka Triennale 1997 exhibition, P79.
  • Asian art exhibition, Australian National University Drill Hall Gallery Canberra, 1997.
  • In-Out exhibition, Contemporary Art from Main Land China and Overseas. Lasalle SIA College of the Arts Gallery, Singapore, Tour to Australia, 1997.
  • Drift exhibition, Penrith Regional Gallery, Sydney, 1997.
  • Culture Graft exhibition, 4A Gallery Sydney, 1996.
  • Above and Beyond tour exhibition, Australian Centre for Contemporary Art, Melbourne, Institute of Modern Art, Brisbane, 24 HR ART, Darwin, Contemporary Art Centre of SA, Adelaide, 1996.
  • 'Magic Garden' Solo exhibition, Hanart T Z Gallery, Hong Kong, 1996.
  • A Sense of Place exhibition, Bede Gallery, Jarrow, UK, 1996.
  • 'Fabulous Engagements', Solo Exhibition, Sherman Galleries Sydney, 1995.
  • The Collectable Eggbeater, exhibition, Plimsoll Gallery, University of Tasmania, 1995.
  • Perspecta, exhibition, Art Gallery Of New South Wales, Sydney, 1995.
  • Localities of Desire exhibiton, Museum of Contemporary Art, Sydney, 1994.
  • 'A Breathtaking Balancing Act' Solo Exhibition, Drill Hall Gallery ANU, Canberra, 1994.
  • Silent Energy, exhibition, Museum of Modern Art, Oxford, UK, 1993.
  • New Art from China, Post-1989, exhibition, Hong Kong Arts Centre, 1993.
  • 90 International Youth Art Show, exhibition, Paris, 1990.
  • Four Artist Show, Jian Gou Men Wai Foreign Department, Beijing, 1988.

 

Art Magazines
Art Asia Pacific

  • Geremie R Barmé ‘Telling selves & talking others’ No.52 Mar/Apr 2007 P72-75
  • Melanie Eastburn, ‘Guan Wei’s perilous journeys’ 50th issue, fall 2006, P70-71.
  • Felicity Fenner, 'Science Fictions, Singapore Arts Festival 2003', Issue 39, winter, 2004.
  • Lee Weng Choy, 'The Rose Crossing', Issue 28, 2000, P95.
  • Melissa Chiu, 'Duplicitons Dialogue', Issue 27, 2000, P23-25.
  • Claire Roberts, 'What goes around comes around - The art of Guan Wei', 1/1999, P58-65.
  • Nicholas Jose, 'In search of the Charman', Vol.1, No2, 1994, P82.

Australia Art Collector

  • Tim Othy Morroll 'Guan Wei most collectable artists', Issue 23 Jan-Mar 2003, P75.
  • Linda Jaivin 'Paint Me', issue 20, April-June 2002, P54-56 & Cover.
  • 'Australia's 50 Most Collectable Artists', Issue 7, Jan-Mar 1999, P61.

Art & Australia

  • Andrea Stretton ‘Art Monographs’ Vol. 44 No.3, 2007, P452-453.
  • Deboraah Hart 'Looking for Home the fables of Guan Wei', 40th Anniversary Issue winter vol.40, No.4, 2003, P618 - 625.
  • Nicholas Jose 'Asian-Australian Dialogues in the Visual Arts', Vol.38 No.4, 2001, P592-599.
  • Guan Wei 'Treasure Hunt' No.5, Vol.37, No.3, 2000, P431.
  • Melissa Chiu 'Asian - Australian Artist: Cultural shifts in Australia' No.2, 1999, P254-260.
  • Jacqueling Millner 'Drift', Gardens, Vol.35, No.4, 1998, P579 - 580.
  • Evelyn Juers 'Spirit-man Guan Wei', Vol,33, #3, Autumn, 1996, P431.
  • Guan Wei 'Test Tube Baby No.2', Winter, 1993, P460.
  • Annette Hamiton 'Trading Image', Autumn, 1993, P374.
  • Guan Wei 'Venus Vanishing', Summer, 1992, P242.

Art Link

  • Ashley Crawford ‘Unreadable writing – a new alphabet? Guan Wei goes bush’ Vol. 27 #1, 2007, P66-67.
  • Guan Wei ‘A mysterious land’ Vol. 27 No.4, 2007,  P49-51.
  • 'New public art commissions’, Volume 25, No.1 2005
  • Peter Anderson 'the fork in the road', Volume 22 No.3, 2002 P20-21.
  • Kiersten Fishburn 'Deeper places', Volume 22 No.3, 2002 P85.
  • Morris Low 'Hybrid transplants', Volume 20, No.2, 2000, P56-57.

Artonview

  • Melanie Eastburn 'Reincaruation', National Gallery of Australia, Issue No. 22, Winter 2000 P26-28.
  • Nicholas Jose, 'Sojouning Artists', National Gallery of Australia, Issue No. 22. Winter 2000, P28-29.

Asian Art News

  • Binghui Huangfu, 'Foreign Compound Global market', Sep/Oct 99, P68-71.
  • Karen Smith, 'Guan Wei at Red Gate Gallery', May/June 1998, P80 - 81.
  • Maggie Pai, 'Complex Cycles', March / April 1998, P40-43.
  • Karen Smith, 'Guan Wei at Red Gate Gallery', November/December 1996.
  • Lan Findlay, 'Guan Wei at Hanart T Z Gallery', March/April 1996, Hong Kong, P75.
  • Guan Wei, 'Magic Garden No.3,&7', January/February 1996, Hong Kong,Inside Back Cover.
  • Judy Annear, 'Juggler of Systems', Sep/Oct 1995, P54-55.

Art/Text

  • Charles Green, 'Guan Wei', #67,1999, Reviews, P94.
  • Guan Wei, 'Dodon't', November 1997 - January 1998, P11.

State of the Arts

  • Laura Murray Cree, 'Art Now: Guan Wei', July-September 2004, P100-101.

Australian Art Review

  • Sinophilia, ‘A gang of fire’ Issue 10 Mar –Jun 2006 P68 – 72.
  • Sasha Grishin, 'The Art of Conscience', Nov 2003 - Feb 2004, P47 - P48.

Heat

  • Guan Wei, 'Method for Eggplant Cultivation' 5 New Series (Eggplant Dreaming 2003) Caver.
  • Melanie Eastburn, 'On Guan Wei' 5 New Series (Eggplant Dreaming 2003) P129 - 153.
  • Guan Wei, 'Treasure Hunt', No13, Literary International, P115-124.

Postwest

  • Guan Wei, '10 years in Australia' No.19 2001, P12-17.

Artist

  • Shao Yi Yang, 'The Art of Nesting'- Guan Wei exhibition at MCA, , Taiwan, Sep 1999, P476-479.
  • Lauk Changan, 'The dialogue with ten Chinese artists', Taiwan, May 1993, P216-229.
  • Guan Wei's Works, March 1989, Spanish, p56.

Asiaweek

  • Jeremy Eccles, 'The eye of a banner man', 2 July, P38-39.

Sleek 12 East /West

  • Monte Packham, ‘Floating time and place’, magazine for art and fashion, Autumn 2006 P196-201.

Eyeline

  • Prue Ahrens, ‘Who can paint the face of terror? Future tense: Security and Human Rights’ Contemporary visual Arts No.60. 2006, P50. 

ANU media

  • 'Guan Wei - visions for the future', August 1998, P13.

Art Monthly

  • Guan Wei, 'Revisionary' (detail), October 1998, Cover.
  • Felicity Fenner, 'The personal and the Political', November 1997, P28.
  • Nicholas Jose, 'Brokering a Space New Chinese art 1989-92', Sep 1992, P9.
  • Chris Downie, 'New Wave', April 1992, P23.
  • Sue-Anne Wallace, 'Postcards from Asia', May 1991, P14.

Asian News Week

  • Zhu Dake, 'New Asian Artists explse in Australia', 29/6 - 5/7 1998, P60-61.

Visual Arts and Calture

  • John Clark, ' Dilemmas of (dis-)attachment in the Chinese Diaspora', 7/98, P14-45.

Orientations

  • Nicholas Jose, 'Notes from Underground, Beijing Art', July 1992, Hong Kong, cover & P53.

Realtime

  • Nikki Miller, 'Agallery gets worn in', June - July 98, P45.

Flash Art (Chinese)

  • Lauk Changan, 'The Great War of the Eggplant', Autumn 1995, Italy, P72.
  • Lauk Changan, 'Ten years of the Chinese avant-garde', Jan/Feb 1992, Italy, P111.

The Bulletin

  • Peter Fray, 'Imports of Importance', 26 July 1994, Australia, P34.

Agenda

  • Nicholas Jose, 'Guan Wei a Contemporary Chinese Artist', Mar/Apr 1992, Melbourne, P17.

Far Eestern Economic Review

  • Linda Jaivin,'Blowing his own trumpet', 24/3/88, P84-87.

Contemporary

  • Roslyn Bernstein, 'China', September 1990, USA, P83.

Sydney Review

  • Nicholas Jose, 'Echoes of China', Sydney, Oct 1991, P7.

Art Gallery Guide Australia

  • Tracey Clement, 'Other Histories Guan Wei's fable for a Contemporary World', Janurary/February 2007,p8-9.

Museum

  • Jenny McFarlane, 'Art unfamiliar territory', April 1991, Canberra, P4.
  • Meajin (Reads their lips)
  • Ouyang Yu, 'talks to Guan Wei Interview Horizontal and Vertical' 2003, Vol.62, No.1, P186 - 194.

The Reader

  • 'Bombs & Beaches, Friday, 24 Sep 2004, P 32-33.

Time

  • Michael Fitzgerald, ‘Paint the wes’t red, a savvy new generation of China artists is putting its stamp or the Australian art world’ 25 April 2005.

Pol Oxygen

  • Guan Wei ‘Interpretation of Art, Design, Architecture and Oxygen  Issue 20/2007 P21-27.
  • Sebastian Smee, ‘Artist in a floating world’, Issue 14//2005, P36 – 44

Object

  • Micheel Goldberg ‘Other histories Guan Wei’s Fable for a Contemporary World’ 52, 2007, P48

Studio International

  • J Mek ‘Face up contemporary art from Australia’ yearbook/special issue 2000-3 Volume 202 number 2025, 2005, P134-141.


News Paper

The Sydney Morning Herald

  • John Medonald, ’Adrift in a sea of good intentions’ spectrum, Oct 6-7 2007, P16-17.
  • Sunanda Creagh, ‘You can see the political situation in my work, these bodies with no eyes’ Art & Entertainment, Sep 9-10 2006, P4-5.
  • Jamie Pandaram, ‘Fantasy history could be true’, Weekend Edition Oct 7-8 2006. P21.
  • John Mcdonald, ‘The barrier that united a culture’, Oct 14-15 2006, Art & entertainment, P16-17.
  • Victoria Hynes & Anne Marie Lopez, ‘The apprentice’ The Sydney Magazine Issue #29, September 2005, P58-60.
  • Peter Hill, 'Shock of the real' Weekend edition 2-3 Oct 2004, Spectrum, P19.
  • Steve Meacham, 'Opera House has Olsen, but Melbourne gets a bigger picture', Tue, 13 April, 2004, P5.
  • Peter Hill, 'Gimme Shelter' Spectrum, 28-29 June 2003, P12-13.
  • Guan Wei, 'The Sydney Morning Herald Cover artwork' commissioned by the Herald to celebrate Australia Day, 26 Jan 2001.
  • Sebastian Smee, 'Wei to Go', 11-17/99, Metro.
  • Sebastian Smee, 'Ashow of Hands', 8/6/1999, P16.
  • Sebastian Smee, 'Show hits a Snag', Arts, 6 Oct 1998, P15.
  • John Mcdonald, 'After the Party', Spectrum Arts, 2 May, 1998, P14s.
  • Anita Bragge, 'Skin - tight but right', Herald Sun, 13/6/98.
  • Cereatha Harris, 'The who's who of 1998', 31/12/97, P21-22.
  • Lauren Martin, 'The road to Sydney 2000 - Eight who have designs on city', Friday, 21/11/97, P16.
  • Sebastian Smee, 'Guan all the Wei', 14-20 Nov 97, Metro P23.
  • Nikki Barrowclough, - 'Lost in translation' Good Weekend Magazine, 13 July 1996, P48.
  • Emily Gibson, 'Here and Mao', 25 June 1993, Blue P3.
  • Alison Barclay, 'A man with his art in two places', Herald-sun, Melbourne, 31 Oct 1991, P44.

The Australian

  • Nicholas Jose, 'Going going Guan', The review, art, 18-19 Sep 2004, P18-19.
  • Louise Martin-Chen, 'Culturally Under the Influence' The Arts, Friday, 1/6/2001, P10.
  • BenJamin Genocchio, 'Enrichment from a Chinese Wave' 30/6/99, P10.
  • Ross Terrill, 'The Curtain Between Us', 9/10/96, P14.
  • Robert Rooney, 'Above and Beyond' Art Review, 9 August 1996, P12.
  • Brenda Colahan, 'The Asian Phenomenon' Art Market Report, issue5, spring 2002, P22-23.
  • Robert Rooney, 'The Cultural Revolution Shifts West', The Art, Friday, 15 Aug 1997.

Daily Telegraph

  • Elizabeth Fortescae, 'Bird's - eye Skew of a Modern War' 13/9/2004, P46.
  • Diana Simmonds, 'Brush Strokes of Genius', Express/arts, 9 July 2000, P117.
  • 'Stroke of Good Fortune', January 29 1998 P55.

The Canberra Times

  • Jeremy Eccles, ‘Beyond the Great Wall’ & ‘Guan Wei’s Artistic Journey through History’, Friday Oct 13, P4-5.
  • Sasha Grishin, 'Unfettered Creativity a boon', 30/3/98, P9.
  • 'Art: A Bridge between Cultures', Arts and Entertainment Section, 9/5/97.
  • Sasha Grishin, 'Challenge to Traditions', 5 Oct 1998, P7.
  • Sue-Anne Wallace, 'Drawing on Australia's Space', 20 March 1991, P2.

The Age

  • Victoria Gurvich, ‘Work of the Week’, (Review) Sat, 11 Sep 2004, P7
  • Peter Timms, 'An assortment of mystic an pieces', 10/12/97, Metro Arts, P7.
  • Peter Timms, 'A sense of mirth amid man's mire', 30/6/99, P6.
  • The Australia Financial Review
  • Terry Ingram 'Wei is off the wall' 23 Sep 2004, P47.
  • The West Australian Weekend Extra
  • Nyanda Smith, 'New Mates and in the Picture', Sat, 10 Jan 2004

The Australia Financial Review

  • Terry Ingram 'Wei is off the wall' 23 Sep 2004, P47.

New York Times

  • Thomas Scheibitz, 'Jiang Hu at Tilton Gallery', Art in Review, 23 Jun 2006.

The West Australian Weekend Extra

  • Nyanda Smith, 'New Mates and in the Picture', Sat, 10 Jan 2004

Asian Art

  • Lola Lenzi, 'Guan Wei: A Decade Out of China', Contemporary Art Newspaper England June 2000.
  • Dinan Dysart, 'Asian Contemporary Art in Sydney', 1/1999, P18.
  • The University of Sydney News
  • Anne Sarzin, 'Guan Wei's eggplants, Test-tube Babies and V-singns', 17/6/99, P7.
  • Business Review Weekly
  • Benjamin Genocchio, 'Atalent gets surreal about nature', 17 November 97.

The University of Sydney News

  • Anne Sarzin, 'Guan Wei's eggplants, Test-tube Babies and V-singns', 17/6/99, P7.

Business Review Weekly

  • Benjamin Genocchio, 'Atalent gets surreal about nature', 17 November 97.

City Hub

  • Victoria Hynes, 'The Artist's Wei', 6 November 1997, Sydney.

Sunday Standard

  • Emma Mclachlan, 'Magic Garden is definitely one for the files' Hong Kong, 27 Jan 1996.

The Advertiser

  • Louise Nunn, ‘Temporary Walls’ Tuesday 4 Jul 2006 Art, P28.

The Adelaide Review

  • John Neylon, ‘Pulling Power of persistent image’, 30 Jun – 13 Jul 2006, P14.

The Straits Times

  • Siane Jay, 'Is it Asian or Australian', Singapore, 2000.
     

Interviews

  • CCTV Channel 10 8/5/2007.
  • Beijing Radio Station 8/6/2007.
  • CCTV Channel 4, 19-20/7/2007.
  • Radio Adelaide 2006
  • ABC TV News 5 Oct 2006
  • ABC TV "Sunday Art" 19 Nov 2006
  • South Korea TV station, 2000.
  • Singapore Channel 8 TV station, 2000.
  • China Central Televison, (CCTV), 1998.
  • ABC Radio, Australia, 1997.
  • Australian ABC TV Station Art Review program, Oct 1995.
  • Australian ABC Radio Station, 1994.
  • Canberra 2XX Radio Station, 1994.
  • Australian SBS TV Station, 1993.
  • Australia SBS TV Station, 1992.
  • Australia ABC Radio Station, 1991.
  • Spanish National TV Station, 1990.
  • Australia ABC TV Station, 1989.
 

 

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